MARVEL ONE-SHOTS: The Consultant, A Funny Thing Happened … and Item 47

Marvel One Shots – Part of the Marvel Cinematic Universe – “The Consultant” – Directed by Leythum – Starring Clark Gregg, Maximiliano Hernández, Robert Downey Jr., William Hurt, and Tim Roth; “A Funny Thing Happened on the Way to Thor’s Hammer” – Directed by Leythum – Starring Clark Gregg; “Item 47″ – Directed by Louis D’Esposito – Starring Jesse Bradford, Lizzy Caplan, Maximiliano Hernández, and Titus Welliver.

The Marvel One-Shots have been a nice treat for purchasers of the Blu-ray/DVDs, as Marvel has used them to further the Marvel Cinematic Universe in small ways. THE CONSULTANT (released on the THOR Blu-ray) and A FUNNY THING HAPPENED ON THE WAY TO THOR’S HAMMER were short, lasting only a few minutes and serving mostly to make Agent Coulson (Clark Gregg) look even cooler than he already was in the films. What appeals to me about these first two shorts (and the idea behind them) is that they have a vaguely MARVELS-esque vibe to them. (MARVELS being the legendary Kurt Busiek and Alex Ross mini-series about how normal people viewed the early days of the Marvel Universe from inside the universe.) When Marvel is at its best, there’s a sense that all of the stories under its banner are taking place in the same world, that it is truly a shared universe, and Kevin Feige and Company have done a great job teaching moviegoers about this shared universe mentality by having Nick Fury (Samuel L. Jackson), Tony Stark (Rober Downey Jr.), and Agent Coulson pop up in different films in order to link them together. For comic fans, of course, it’s not terribly surprising to see Tony Stark pop up in the HULK comic, but for movie fans, this was something relatively new.

Ben Affleck reprised his role as Daredevil/Matt Murdock for a brief appearance in Elektra but appears only as a deleted scene, there’s a picture of Christopher Reeve’s Superman in Supergirl, and Metropolis gets a mention in Batman and Robin, but for the most part, superhero movies have existed as solitary creations.

One thing I always tell my students about reading literature or watching movies is that the stories will tell you how to read or watch them, and that’s what these one-shots have done, albeit in a small way. They signal to fans that this is all one big connected story, and it’s nice to see that with ITEM 47 (included on the AVENGERS Blu-ray) is a significantly longer piece, and I can only hope we’ll be getting more of them as we move forward.

THE CONSULTANT – Set after the events of THE INCREDIBLE HULK, THE CONSULTANT is short and sweet. Opening and closing with Agents Coulson and Sitwell (Maximiliano Hernández) meeting at a diner, the film reveals that the World Security Council wants Emil Blonsky/Abomination as part of the Avengers Initiative. Coulson and Sitwell think this is a horrible idea, and reveal that Fury wants nothing to do with Blonsky, either. The WSC sees Banner as to blame for the incidents in INCREDIBLE, and still views Blonsky as a war hero. In order to sabotage the pick-up, Coulson sends “the Consultant” in to talk to General Ross (William Hurt). The Consultant is Tony Stark, and we see the early stages of his meeting with Ross, which are simply lifted from THE INCREDIBLE HULK. After the repeat (there’s no new footage here), we’re back in a diner (this time with Coulson doing the eating) to learn that Stark did his job and Ross refused to hand Blonsky over to them.

It’s a nice, quick film, with Coulson the star of the piece. It’s disappointing not to see anything new from Stark or Ross, but as a first One-Shot, THE CONSULTANT proves that, if nothing else, dipping the company’s creative toes into the larger Marvel Universe makes a nice bonus feature.

A FUNNY THING HAPPENED ON THE WAY TO THOR’S HAMMER – Agent Coulson stops to get gas on his way to, well, Thor’s hammer, which had fallen out in the New Mexico desert. Sticking the nozzle in his car, Coulson heads inside to the convenience mart. He’s kneeling down, trying to decide whether to buy a package of Little Debbie’s powdered donuts or Little Debbie’s frosted donuts when two robbers enter. There’s a very funny exchange between Coulson and the robbers, as Coulson is the calm one who has to, in essence, walk the robbers through their robbery. When they ask for his keys, he tosses it to them, but then they forget about him, so he has to inform them, “I also have a gun.” He slides it to them, then breaks into action, hitting one of them in the head with some flour, then running at the other robber, kicking the top of his shotgun down, and then disarming both of them before casually paying for the donuts.

“I couldn’t decide which one I wanted,” he says calmly to the store clerk, whose hands stay up the entire time, handing her a bill. When she doesn’t make a move to ring him up, he says, “Keep the change.”

Seeing the action side of Coulson is different and cool, of course (he is a trained SHIELD agent), but what’s impressive about him remains his calm demeanor.

ITEM 47 – A decided and confident attempt to offer something more than just background for the theatrical releases, ITEM 47 tells the story of the 47th alien artifact that fell to Earth after the Battle of New York. It is the one item that was not recovered and the one item that has been activated. Credit for that goes to Benny (Jesse Bradford), who somehow got the arm gun to work. His girlfriend Claire (Lizzy Caplan) convinces him they should start robbing banks, which puts them on SHIELD’s radar, where Agents Sitwell and Blake (Titus Welliver) are still coping with the loss of Agent Coulson in AVENGERS.

It’s Sitwell who goes after them, and Hernández does a good job playing Coulson-Lite, but … yeah, it would have been nice to see Coulson Prime instead of Coulson Lite. Still, it’s a nice sequence where he tracks them to a hotel in Florida and ends up making them SHIELD agents; Sitwell has a bigger sense of humor than Coulson does, so I don’t mean to imply this is a case where Hernández is reading Coulson’s lines. He’s a slightly different character filling the same role, and his decision to recruit Benny and Claire into the fold is a nice touch. His presentation of them to Blake, done with a big smile on his face and a joyful approach to his work makes him a fun character to watch, and I have no doubt that if Sitwell takes on a larger role in Phase 2 of the AVENGERS cinematic franchise, I’ll grow to like him a whole heck of a lot.

At roughly 12 minutes, ITEM 47 is three times the size of the previous two efforts and the new length is just long enough to be a bit disappointing. Benny goes to work reverse engineering Chitauri tech and Claire becomes Blake’s assistant, which consists of nothing more than sitting in her chair, spinning aimlessly, and staring at the ceiling. What’s here is good (a disgruntled Blake asks her if she can make coffee and she replies she can’t), but I was just starting to get invested in these characters when suddenly, it’s over. Still, ITEM 47 is a decided step up in terms of attempt and style, and it ends up being slightly disappointing only because the promise for it being something more is so clearly in evidence.

THE INCREDIBLE HULK: I’ve Always Been More Curious Than Cautious

The Incredible Hulk (2008) – The 2nd Marvel Cinematic Universe Film – Directed by Louis Leterrier – Starring Edward Norton, Liv Tyler, Tim Roth, William Hurt, Tim Blake Nelson, Ty Burrell, Stan Lee, Lou Ferrigno, and Robert Downey Jr.

Arguing is fun. People like to take sides and praise the merits of one position as they condemn the faults of the other. I get it. I often do it, and as long you choose your side honestly, there’s nothing wrong with it. This happens with movies, too, of course. People love to pit movies against one another and choose up sides. It’ll happen this coming summer, just watch. Before the summer’s out you’re going to see a whole mess of people be Avengers fans or Batman fans, and celebrating the Whedon approach or the Nolan approach to superhero movies, and generally getting all worked up and transforming the argument into something ridiculous.

Harmless. Or Overdone. Do what makes you happy.

People love to pit the two HULK movies against one another, too, and given that I spoke rather glowingly about the Ang Lee film, you might be expecting me to take a bunch of cheap shots at Louis Letterier’s film. Believe me, if the film was worthy of cheap shots, I’d have no problem dishing them out, but the truth is that I enjoy THE INCREDIBLE HULK every bit as much as Lee’s film, but for different reasons. Where Lee’s HULK is a movie about adult characters dealing with serious psychological issues of dysfunctional parent-child relationships, Letterier’s INCREDIBLE is a more classically-designed action film. The Hulk was almost an unwanted participant in HULK, but he’s the reason INCREDIBLE exists.

INCREDIBLE is not a sequel to HULK, but rather a reboot of the franchise that firmly brings the Hulk into the Marvel Cinematic Universe. Blessedly, INCREDIBLE doesn’t give us another elongated origin story, choosing instead to give us a quick and dirty origin story in the opening titles. This new origin resembles the origin from the TV show, where Bruce is strapped in a chair and dosed with gamma radiation. (But different in that here he doesn’t self-dose the radiation and his transformation into the Hulk happens right away.) It’s not the only nod to the Bill Bixby TV show: a clip of Bixby from The Courtship of Eddie’s Father plays on Bruce’s TV, Lou Ferrigno makes an appearance, a student reporter is named McGee (the same name as the reporter from the TV show), and the beautiful exit theme from the TV show is used in the film.

As the film opens, Bruce Banner is in Brazil, working as a day laborer in a bottling factory and trying to learn to control his anger through meditation and martial arts training. He’s communicating with another scientist codenamed “Mr. Blue” and trying to find a cure for his gamma poisoning. He cuts his finger and a bit of blood ends up in a bottle that makes its way to Stan Lee’s house, where the Man drinks it and has some kind of reaction that alerts General Ross (William Hurt) to the possibility of Banner’s presence in Brazil.

Ross takes a hit squad to South America, and recruits British Royal Marine Emil Blonsky (Tim Roth), who’s a bad-ass soldier that Ross looks at like he’s a weapon that exists for Ross to point and shoot. They take a run at Bruce but he eludes them for a bit, and then turns into the Hulk and disappears. Blonsky isn’t cool with this, and so Ross arranges for his newest pet to get a dose of the serum that Bruce had been working on that eventually turned him into the Hulk to give him a boost of super strength.

The Ross/Blonsky relationship in particular and the acting performances of Hurt, Roth, and Liv Tyler (as Betty Ross) are a good example of taking movies on their own merits. Hurt and Tyler do solid work, but they can’t hold a candle to Sam Elliott and Jennifer Connelly from HULK, but, this is a different movie, with different requirements. Here in INCREDIBLE, the relationship between Ross and his daughter never repairs itself.

After the escape in Brazil, Bruce decides he needs to come north to the United States and he goes to his old stomping grounds. He sees Betty but doesn’t approach her. Instead, he goes to his old pizza shop hangout and gets the owner, Stanley, to let him crash upstairs for a bit. Stanley is played by Paul Soles, who voiced Bruce Banner in the 1960s cartoon. Before long, Bruce walks out of the kitchen when Betty and her new boyfriend, Leonard Samson (Ty Burrell), are visiting. Betty sees him and chases Bruce down, taking him to the house she shares with Samson.

Leonard is a very small character in the movie, but his role is greatly expanded in the Deleted Scenes. As the movie plays, though, it’s a bit clunky. Betty instantly leaves Leonard behind to run away with Bruce, and they live on the run as Ross, Blonsky, and his hit team chase Bruce. They end up in New York, where Bruce meets with Mr. Blue/Dr. Samuel Sterns, who tries to cure him but only sorta does. Blonsky gets Sterns to hit him with a bigger dose of blood, which leads to Blonsky becoming the Abomination, which leads to lots of Abomination vs. Hulk action in the last act of the film.

The action is all fine, but the real hero of INCREDIBLE is the pacing. This movie constantly moves; introspection is largely handled off-camera. Leterrier has a really nice visual style – the camera seems to be always moving yet it’s never not where it needs to be. Norton is fine as Bruce Banner and INCREDIBLE is a fine film. INCREDIBLE does its work as being part of a larger series of films as there’s plenty of nods to other Marvel movies, including a final scene appearance from Robert Downey Jr.

INCREDIBLE HULK doesn’t have the lofty ambitions of HULK, but while its goals are smaller, it totally hits its marks and delivers a fast-paced, enjoyable film.