ELEMENTARY: First Thoughts on CBS’ Totally Not Like The BBC’s Sherlock Show At All


Elementary (2012) – Season 1, Episode 1 – “Pilot” – Written by Robert Doherty; Directed by Michael Cuesta – Starring Jonny Lee Miller, Lucy Liu, and Aidan Quinn.

Has there been any show in recent memory where more people had made up their mind before an episode had even aired than CBS’ Sherlock Holmes in New York detective show, ELEMENTARY?

While you were busy decrying the show as a ripoff of the certain-to-be superior SHERLOCK from the BBC, your parents were busy deciding they loved it. It’s a natural fit for CBS to fold the world’s most famous detective into their cop show revue, which is probably why they had discussions with the BBC about adapting their show before they decided to just do their own show. Accusations have been flying from those in and the know and those who simply have an internet connection over how much ELEMENTARY was going to be a ripoff of Sherlock that I’m not sure if it’s more unbelievable that the show is finally here or that a grand total of one episode has been broadcast.

To be clear on where I stand, I am mostly of the feeling that there have been 8 billion Sherlock Holmes adaptations, which makes me initially think the makers of Sherlock should get over it. But the fact that they met with CBS makes me think that the American network is guilty of some creative thievery. I’m not going to go into a point-by-point breakdown of how the two shows compare to one another because that’s for the Beeb and CSI: CBS to fight out in court. All I really care about is this:

Sherlock is one of the best shows on television.

ELEMENTARY is also on television.

But before I get into that, there’s another issue I want to address and that is the overwhelming amount of suckage that is CBS.com. I realize that I’m spoiled by Hulu, but CBS.com is one of the most mindbogglingly inane websites I’ve come across because instead of their playback capabilities marking the site as an alternative to Hulu and Netflix – which is what a network website should be, CBS.com struggles to compare favorably to Daily Motion and their fan-uploaded videos. It’s stunning to me, literally and absolutely stunning to me that CBS.com has such a crappy steaming operation. I don’t have the strongest computer in the world, but I routinely stream shows on Hulu, movies on Netflix, and sports on ESPN3 and I almost never have a pixelated image, yet the strength of the ELEMENTARY stream was constantly changing. If you watch the program full screen, you can not get rid of the timeline at the bottom of the screen. Why do they think I want to look at that blue line creeping from left to right for the entire show? When they go to commercial, they often force you out of your full screen viewing mode to look at a smaller screen, and then KEEP you in the smaller screen when your show restarts, meaning you have to go click the button to go full screen again. Maddening.

And it gets worse.

There are ads during CBS.com streams, which is understandable. There are a LOT of ads during CBS.com streams, which is annoying. But neither of those facts would get me to not watch a show I wanted to watch there. What I don’t understand, what truly drives me bonkers, what clearly demonstrates that CBS.com simply does not give a f*ck about you or their shows is this:

They run commercials IN THE MIDDLE OF SCENES!

Yeah, you’d think they’d simply wait for the, you know, commercial breaks to lay their commercials in, but they don’t. Commercials seem to run on some kind of pre-determined schedule, and if the clock says it’s time to go to commercial, then the stream cuts to commercial, even if the episode is knee deep in a scene.

What the f*ck, CBS?

Honestly, WHAT. THE. F*CK?

What is the point of cutting to commercial right in the middle of a scene? Is that supposed to make me go, “Oh, this sucks, I guess I’ll watch the show on TV, instead?” Stupid. Utterly stupid. Is it this way for every single show they stream? Or is this just a special thing because this is the first episode of a new show and they want to annoy you?

Dear Whomever Runs CBS.com,

You suck at your job.

Signed,
Internet Programmers From 1996

As for ELEMENTARY itself, it’s a highly predictable formula show that almost no one who loves Sherlock is going to turn into every week, yet will probably be a massive hit. Honestly, how many people out there in America Land have ever even seen an episode of Sherlock? And of those, how many will not watch ELEMENTARY simply because PBS runs a British show featuring Sherlock Holmes?

The two big “changes” here are that Watson is a woman and that it takes place in New York, but neither of them amount to anything. The show could be taking place anywhere, and Watson’s switch in gender doesn’t have any immediate effect on the narrative.

What ELEMENTARY does well is operate inside the CBS crime show bubble (and this is a backhanded compliment, if ever there was one), offering a bit of something slightly different yet not really different at all. This is a safe show from start to finish. Oh yeah, sure, they intimate that Sherlock (Jonny Lee Miller) likes his sex BDSM style and they keep saying he had a drug problem, but they don’t show any of it actually happening. Even when Sherlock visits Captain Tobias “Not Lestrade” Gregson (Aidan Quinn) at a bar and leaves Sherlock to watch his coat, there’s no sense that Sherlock might be tempted to down Gregson’s drink. No, Sherlock has said that he’s done with drugs and, apparently, he means it. When Joan Watson (Lucy Liu) gives him a drug test, it’s because he unplugged her alarm clock and not because there’s any actual belief he took something. The audience is never invited to think Holmes might fall back into old habits. In other words, this show decides to tell us that Sherlock had a drug problem severe enough he needs his daddy to hire a babysitter for him, and it does nothing with it. It’s like telling us that Sherlock once had a sandwich for lunch.

Where this show fails is that it is not very smart, nor can it fake the appearance of being smart. Miller does his best to talk fast and play slightly off-center, but that can’t hide the fact that his big insights aren’t really all that impressive. ELEMENTARY tries to make a big deal out of the fact that he looks at glass on the floor and can instantly tell there’s enough shards there for two glasses, instead of the one glass the cops think has been smashed. Sherlock proves how smart he is by laying down on the floor and looking under the refrigerator and finding the second, unbroken glass bottom.

Thrilling stuff.

He also notices there’s a box missing because the owner of this apartment likes symmetry.

What a f*cking genius.

The only way Sherlock really comes off as particularly smart is due to the cops he’s working with being complete morons. Aidan Quinn’s Gregson just kinda stands around with hunched shoulders, grunting and looking confounded. And his main investigator makes the depiction of security guards at malls look like Detective Frank Pembleton. If the Pilot is any indication, the cases Holmes and Watson will be solving are cases that every other detective on TV would be able to solve in an hour, too. This episode’s mystery of a dead woman and her manipulative husband was as generic as any other mystery you’d find on any other network cop show.

Where ELEMENTARY does have a chance to be mildly entertaining is in the chemistry between Holmes and Watson. It’s not there, yet, but there are moments when Miller and Liu show a spark, such as at the end of the episode when he wants to go to dinner but she wants to watch the end of the Mets game. He does a bit of a “this will happen, then this, then this” routine and stomps off to wait in the hall. The game unfolds exactly as Holmes said it would because of course it would, but what’s important here isn’t that he’s right as much as how it lets the two protagonists interact with one another, and if ELEMENTARY is going to succeed, it’s going to be because Miller and Liu are worth watching. They’re not, yet, but as they find their characters, they might become a fun pair to watch.

ELEMENTARY is not an awful show, but it isn’t a good show, either. like nearly everything CBS puts on the air, it is an entirely forgettable show. CBS makes its bread being the Microwave Dinner Network, the place where you go to watch TV shows because you think you have to watch TV shows and you can’t be bothered to change the channel. Miller and Liu are trying, but they’ve got such a stupid script to work with here that there’s only so much they can do. As it stands, I don’t see any reason why I should come back and watch the next episode, and that’s not even because CBS.com is so overwhelmingly stupid.

SHERLOCK HOLMES: A GAME OF SHADOWS: Dangerous at Both Ends and Crafty in the Middle

Sherlock Holmes: A Game of Shadows (2011) – Directed by Guy Ritchie – Starring Robert Downey Jr., Jude Law, Jared Harris, Noomi Rapace, Rachel McAdams, Kelly Reilly, Eddie Marsan, Paul Anderson, and Stephen Fry.

It was fun.

Next!

Sometimes I watch a movie and there’s just not a lot I want to say about it. Such is the case of SHERLOCK HOLMES: A GAME OF SHADOWS. It’s a thoroughly entertaining film with more of Robert Downey Jr. being roguishly, charmingly impossible, with Jude Law being reluctantly happy to be along for the ride. There’s plenty of slo-mo action scenes (which Guy Ritchie has to include or the world will end), plenty of playful nods to Holmes and Watson’s homoeroticism, plenty of things blowing up, and plenty of cleverness. It’s a thoroughly entertaining film.

Wait. Did I say that already?

A GAME OF SHADOWS is the type of entertainment that doesn’t ask anything from you except to be comfortable in my seat. Which I was. Sort of. (Some dick entered the movie right as it was starting and sat right in front of me despite there being plenty of open seats all over the place. Why would anyone do that? It wasn’t as bad as the one ultimate assh*le who sat right in front of me for Cloverfield even though I was the ONLY person in the entire theater, but still, how can anyone have such poor theater-going manners?) It’s also the kind of film that doesn’t promise you anything except what you’re expecting to get, and on that it delivers. SHADOWS is like a formulaic TV show writ large; I know what I’m getting from Castle every week, for instance, and it delivers it with seeming ease and aplomb. I don’t knock or mock it for being predictable because I want what it promises.

And what it promises is Robert Downey Jr. being roguishly, charmingly impossible and Jude Law being reluctantly happy to be along for the-

Wait. Did I say that already?

I should probably mention that I have no loyalty to Sherlock Holmes. While I like the Arthur Conan Doyle stories, the detectives of my youth were Scooby Doo and pals, the Hardy Boys, the Three Investigators, and Encyclopedia Brown. I’m happy to get a good Sherlock Holmes story, wherever it comes from, so when the internet lost its mind last month over CBS’ announcement to do a modern Sherlock story set in New York City, I wasn’t the least bit bothered. No matter if Elementary turns out to be awful, it’s not going to effect either the Conan Doyle Sherlock Holmes’ stories or the Steven Moffat’s current modern interpretation called Sherlock.

The Sherlock that inhabits Guy Ritchie’s films are designed to play to Downey’s strengths and both films do a wonderful job at that. Here, we’ve got a Holmes who’s convinced that a series of French/German bombings are the work of a shadowy mastermind – Professor James Moriarty (Jared Harris). At the same time, we’ve got a Watson on the verge of marriage to Mary Morstan (Kelly Reilly). The Moriarty subplot seems to be here more for Holmes to have a battle of wits while the Watson subplot is here for Downey to be a rascal.

Both plots work. The first leads to all the action and it’s all really well crafted and exciting. The Moriarty plot creates much of the Watson plot, as it’s Moriarty who insists that Watson be involved in the “game” he and Holmes are playing. The film does engage in a bit too much of the “ha-ha, let us show you how brilliant Holmes has been while you think he was doing something else” routines, but Ritchie does a bang-up keeping everything moving forward.

And that’s it, really. Other than a very memorable, very funny turn from Stephen Fry as Sherlock’s brother Mycroft, there’s not a lot here that I’m going to remember. Jared Harris is very good as Moriarty, but then nearly everyone in the film is very good. There’s just so little of it that’s memorable to me. I’ll buy the Blu ray when it hits the $10 bin and enjoy it again, and then probably just as quickly forget about it.