X2: X-MEN UNITED: Have You Tried Not Being a Mutant?

X2: X-Men United (2003) – Directed by Bryan Singer – Starring Patrick Stewart, Hugh Jackman, Ian McKellen, Halle Berry, Famke Janssen, James Marsden, Rebecca Romijn-Stamos, Brian Cox, Alan Cumming, Kelly Hu, Anna Paquin, Shawn Ashmore, Daniel Cudmore, and Bruce Davison.

X2: X-MEN UNITED is a bit of a weird film for me.

For starters, there’s the title, which is both dumb and wrong. What the hell is X2? In other parts of the world they called it X-MEN 2, but not here in the States. The stupidity of trying to build and capitalize on a franchise by not using it’s name in the title is … strange. (The X-MEN UNITED part isn’t part of the official title, it’s just how the film has increasingly been marketed.) Luckily, this naming trend started and ended with X2 because it’d be really silly if we were all gearing up for IM3, T2, and CA2. And would we refer to The Dark Knight Rises as TDK2 or B3?

That’s the dumb half. The wrong part comes after the colon: X-MEN UNITED. The X-Men did not suffer from a lack of being united in the previous film, so really, this title is saying X2: STILL UNITED. Or X2: BABYSITTER WOLVERINE. The film would have been more properly entitled MUTANTS UNITED, because that’s what the film delves into, the uneasy and temporary unification of Xavier and Magneto’s forces in the face of a shared threat. But they didn’t want to use “Mutants” because … because they wanted to reinforce “X-Men” in the title? So … I don’t know … why not just call it … X-MEN 2, maybe?

In my review of X-MEN, I noted how much I enjoyed James Marsden’s performance as Cyclops. I would liked to have see more of him in X2, but he’s practically shelved, existing only to push Xavier’s wheelchair and then to try to blast Jean into atoms when he’s a mind-controlled puppet. (Which some would argue he already is for Xavier.) Similarly, the only member of Magneto’s Brotherhood that would have wanted to see return was Ray Park’s Toad because he’s the only one who had any kind of actual spark to his personality. He’s completely missing from the film. Instead, we get more Jean Grey (Famke Janssen) and more Mystique (Rebecca Romijn-Stamos), two characters I did not want to see with expanded roles.

And here’s where it gets weird for me.

Despite my reservations about the character choices (a movie title isn’t going to affect my enjoyment of a film – that was just me having a go), it works. It works beautifully. X2 is a fantastic movie from start to finish. Director Bryan Singer delivers a confident, fast-paced film that’s full of great character moments. Janssen’s Jean Grey still doesn’t work for me – it’s like her superpower is to rob herself of any discernible personality – and the Jean Grey/Logan subplot feels incredibly forced and emotionless, but everything else about this movie works very well.

Once again, this is primarily Wolverine’s movie, and once again Hugh Jackman delivers an outstanding performance. Logan is much more centered this time around, as Xavier’s school has become a welcome port in the storm for his personal troubles. Going into the film, I would have thought that building a story around Logan at Xavier’s as opposed to Logan out looking for his past was a mistake, but again, X2 serves to prove how wrong I can be. When Logan comes back to Xavier’s everyone (except maybe Scott) is glad to see him and, just as importantly, he’s content to be back. The narrative instantly jettisons all of the other adults at the school – Jean and Storm (Halle Berry) head to Boston to track down Nightcrawler (Alan Cmumming), while Scott (James Marsden) and Professor Xavier (Patrick Stewart) are off to visit Magneto (Ian McKellan) in his plastic prison – leaving Wolverine as Head Babysitter in Charge.

In my review of X-MEN, I noted that Jackman’s Wolverine was about as menacing as a bar of Ivory Soap. Here, however, Jackman does a much better job letting out a little feral anger and it comes during his time as babysitter. It’s a very strong move on Singer’s part, as it both humanizes Wolverine (not that we needed much more of that) and gives him a meaningful avenue to cut loose.

The cutting loose happens during a military raid on Xavier’s. Colonel William Stryker (Brian Cox) is an anti-mutant military scientist with grand designs on using Xavier, Cerebro, and his own son Jason to commit mutant genocide. It’s Stryker who arranges Nightcrawler’s assassination attempt on the President, Stryker who’s practically lobotomized his son (who happens to be a former student of Xavier’s), Stryker who was involved in turning Logan into Wolverine, and Stryker who just generally prowls through the movie as a picture of total confidence and badassery.

Stryker leads a full on assault on Xavier’s School, and it demonstrates how far Singer has come in directing action scenes. Despite the fact that the assault takes place over three separate floors of the mansion, plus outside, plus a hidden passageway, I’m never lost during the raid. Logan and Bobby Drake (a very good Shawn Ashmore) are having an engaging surrogate-parent-to-new-boyfriend chat in the kitchen when the raid starts, and when Logan realizes what’s going on … well, the claws come out and he finally unleashes something close to Wolverine’s primal rage. While X2 doesn’t offer much in the way of blood, there’s no doubt that Wolverine is going hardcore with these soldiers. His claws flash and slash and his face snarls and growls as Logan barks orders at the elder students and puts himself at the focal point of the soldier’s attack.

Brian Cox proves himself the perfect foil for not only Wolverine, but Xavier and Magneto, too. He’s the best part of the movie, and his character gives the film a real, solid villain around which Xavier and Magneto’s philosophical debates are forced to take a backseat to an imminent threat. It’s a really impressive turn from Cox. While there’s not as much depth to Stryker as there is to some of the other great villains in superhero cinema, Cox’s performance is no less impressive. I just keep coming back to his ability to manipulate the President, to make Magneto show real fear, to horrify Xavier with what he’s done to his son, and constantly stick the needle in Wolverine’s side. How many other villains have played off so many other characters so effectively?

After Stryker’s assault is only marginally successful – thanks to not only Logan, but Colossus (Daniel Cudmore), who helps shepherd the bulk of the students out of the mansion via secret passageways. While Colossus gets the kids out, Logan, Bobby, Rogue (Anna Paquin), and John/Pyro (Aaron Stanford) jump into Cyke’s Mazda and head to Boston.

Okay, as much as I like the film, here’s where the story burps a few times. Logan is so focused on getting to Boston to hook up with Jean and Storm that not enough thought is given to the rest of the kids from school. And this film was released in 2003 and takes place in the near future – why doesn’t anyone have an actual cell phone to call ahead? All they’ve got is some super advanced communication device that you can’t dial.

When they get to Boston, they immediately stop in at Bobby Drake’s house. Bobby gets new clothes for him and Rogue, then they play a bit of kissy face before she starts to suck out his essence. The Rogue/Bobby relationship is handled nicely; it doesn’t get a lot of screen time but Paquin and Ashmore do a good job selling it. I wish, too, the film had devoted more time to the Logan and Bobby relationship, but again, Jackman and Ashmore get everything out of their limited interaction that’s possible to get out of it.

At the Drake house, Bobby’s parents and brother come back and Bobby comes out of the mutant closet to his parents. “Have you tried … not being a mutant?” his mother asks, which is a nice line but a stupid one, too. There has to be a strong enough understanding of mutants that people know you can’t just turn the switch off and stop being one, but Bobby’s parents honestly do a pretty good job immediately absorbing what their son has just told them. They’re not enlightened, but they don’t turn their back on him.

That job falls to his brother, who calls the cops and tells them they’re being held hostage in their house. The cops arrive and we get a showdown between them and the four mutants. Logan gets shot in the head, which allows the scenario to play out with Rogue and Pyro standing in for Xavier and Magneto. He wants to elevate tensions and she wants to dampen them. It’s a good scene and it sets up John’s eventual turn away from Xavier and towards Magneto.

The Blackbird shows up but the military shoots it down and lucky for the X-Men, Magneto just happens to be standing there to catch the jet in his magnetic field. We get a really nice scene where both sides of the mutant political spectrum are forced to work together to head to Alkali Lake to rescue Xavier, Scott, and the few students who were captured. The last half hour of the film does lose some momentum as we get lots of fighting in tunnels, but Cox is always around to make life difficult for everyone. There’s a really good, really violent fight between Wolverine and Stryker’s pet mutant Lady Deathstrike (Kelly Hu), and the film ends with Jean saving everyone and sort of becoming the Phoenix, minus all of that Phoenix Force space stuff.

It’s a heroic ending, but I wasn’t disappointed that Jean ends up at the bottom of the lake. Her character was all sorts of suck in these two movies and I’m glad she won’t be back for the third-

Oh. That’s right.

Jean aside, X2 is a darn good movie. It really feels like Singer has figured out how to make superheroes work for him, even if it doesn’t feel like he’s completely comfortable working with superheroes. He still treats the X-Men mythos like a giant buffet from which he can pick and choose at random, but it really works to X2′s benefit. Singer gets better performances from nearly everyone this time around, with Halle Berry and Rebecca Romijn-Stamos making the most of their bulked-up screen time. Alan Cumming is great as Nightcrawler, too. Singer doesn’t oversell his political discourse this time around, and the result is a really solid superhero action film with a good amount of subtext. I wish he hadn’t sidelined Cyclops because James Marsden was excellent in the first film, but most of my complaints with X2 are just me being a jerk because what is here results in a top-notch movie.

TRICK ‘R TREAT: Go. Watch. This. Movie.

Trick ‘r Treat (2007) – Directed by Michael Dougherty – Starring Dylan Baker, Rochelle Aytes, Anna Paquin, Brian Cox, Quinn Lord, Lauren Lee Smith, Tahmoh Penikett, Brett Kelly, Britt McKillip, Isabelle Deluce, Jean-Luc Bilodeau, and Leslie Bibb.

Somewhere around the middle of TRICK ‘R TREAT I began to realize that I’d found a new film to champion, so folks who know me should get ready to hear me yap about Michael Dougherty’s fantastic Halloween movie quite often over the coming years.

TRICK ‘R TREAT is a horror anthology film and owes a tip of the costumed hat to George Romero’s Creepshow. Like Creepshow, TRICK ‘R TREAT is an anthology that has a comic-book inspired visual feel, but unlike Romero’s movie, TRICK doesn’t need the comic images to link the individual stories because the stories are intertwined. Dougherty presents one story as the focus but weaves the other stories through the background. During “The Principal” sequence, angry old bastard Kreeg (Brian Cox) is used as a bit character; we see him banging on the window of his house, imploring his neighbor Steven (Dylan Baker) for help, but Steven blows him off. We continue on with Steven’s story but then later come back to see this sequence play out from Kreeg’s point of view.

Characters from each of the four main segments and the opening sequence pop up here and there throughout the film, as does Sam, a mysterious costumed “kid” (he’s actually a demon, I suppose, with a face that looks like a pumpkin shaped-skull) dressed in orange pajamas from the neck down, and a burlap sack from the neck up to cover his giant head. Sam is always around when bad things happen. The premise with Sam is that he’s here to help punish (or at least observe) those that don’t respect the traditions of Halloween, and this simple take is part of the charm (yes, charm) of TRICK ‘R TREAT: Dougherty treats the holiday as an historical tradition worthy of respect and not just as an excuse to hack and slash people to death. There’s surprisingly little gore in TRICK, as the fun comes not from watching someone be tortured and killed, but in the narrative that leads up to the violence.

Can I just say, “Thanks” for that? Look, I love me a good a slasher film (I can’t believe I made it through horror month without reviewing the three classics: Halloween, Friday the 13th, and A Nightmare on Elm Street – chalk one up for poor time management), but I don’t think horror movies have to be slashers, or their derivative, snuff-inspired torture porn followers. TRICK has as much in common with Magnolia or The Player as it does Nightmare and Halloween given it’s use of multiple narratives that intertwine to strengthen the whole.

There are four main segments and a brief, opening sequence that sets the tone.

“The Prologue” – Emma and Henry (Leslie Bibb and Tahmoh Penikett) are coming home from the nightly Halloween parade festivities. She wants to blow out the candle in the jack-o-lantern by the front gate but he tells her not to do it because you don’t want to mess with tradition. Emma rolls her eyes and does it anyway, as she sets about taking down all of the decorations. Someone – we find out later that it’s Sam – doesn’t like this and kills her. The message is resoundingly clear – respect Halloween traditions or pay the price.

“The Principal” – A fat kid shows up at a house to find no one home, but there is a tub of candy left out with a notice to take one. The kid takes a whole bunch because he’s a kid, but he gets caught when the homeowner returns. It’s the school’s principal, and Wilkins sits down on the porch with the kid as he starts to eat the candy, eventually throwing up blood and chocolate. Wilkins poisoned him and proceeds to drag him inside and lop off his head, burying his body in the backyard. Dylan Baker is really great as the nerdy killer, impatient when a group of his students show up at his door asking for candy and a jack-o-lantern (they’ll be the focus of the next story), and then edgy when his neighbor Kreeg’s dog sticks his nose under the fence and starts barking. While Stevens is trying to bury the body, his kid keeps yelling down at him from an upstairs window, and one of the bagged-up corpses he’s trying to bury keeps moving. Stevens just wants to bury the body and get back inside but the world keeps getting in the way. It’s interesting but it’s not overly compelling, but then Stevens goes inside where his annoying kid is still yammering away.

Which is when Dougherty springs his first real trick on the audience. Stevens shepherds his kid down into the basement, a big knife hidden behind his back. The set-up is that Stevens is going to kill the brat, but when the knife drops it’s not aimed at his child but at the head of the poisoned kid. Stevens didn’t bring his kid to the basement to off him, but so the kid could help him carve up the poisoned kid.

Love it.

“The School Bus Massacre Revisited” – The best sequence in the movie, this story shows a group of four kids picking up a mentally-challenged girl named Rhonda (Samm Todd). Macy (Britt McKillip). the leader of this group, has clearly designed this night to somehow turn out poorly for Rhonda. The kids go to the quarry, where Macy tells them the legend of the School Bus Massacre, which saw the parents of a group of special needs children pay the bus driver (who turns out to be Kreeg, though we don’t know this until the end of the movie). Macy is wonderfully evil, using the quarry’s rickety elevator to set up her scare. When Rhonda and Chip follow down, Macy and the two others are hiding. At the appropriate time, they jump out, pretending to be the ghosts of the School Bus Kids. Rhonda freaks out, starts crying, and Schrader tries to comfort her, but then the kids start to hear voices and they want to scram.

Tricks on them, though, because once Macy kicks the lit jack-o-lantern into the reservoir, bringing the actual School Bus Ghosts back. Rhonda seals herself in the elevator and watches the other four kids die as she slowly climbs to safety. When she reaches the top and heads back to town, Sam is there going in the other direction.

What gets me most about the school bus sequence, though, is the empathy generated when one of the kid realizes that something is wrong and completely freaks as he tries to break free, and then the sheer tragedy of him not being able to save his fellow schoolmates on the bus. He could have just split but he didn’t; instead, he moves to the driver’s seat and tragically drives the bus off the cliff. He was trying to do the right thing and it just went wrong. Totally gutwrenching. One of my favorite moments in film in a really long time.

It’s a fantastic sequence, built on real tragedy, local legends, and kids scaring kids. The story works on its own, but also reinforces the whole of the movie. TRICK does this self-reinforcement really well.

“Surprise Party” – A predictable yet enjoyable tale that sees virginal Laurie (Anna Paquin) dressed up as Red Riding Hood and looking for a man to bring to some secret party in the woods where her sister and pals are hanging out with the dudes they’ve already collected. There’s been a creepy dude in leather milling about and we watch him kill a hot young female in one scene, so when he shows up in this sequence and sets his sights on Laurie, well, even when the girls first showed up it seemed kinda obvious they were going to be killers of some kind, but that doesn’t stop this sequence from being enjoyable because Dougherty executes Laurie’s turn into the killer who’s actually a werewolf splendidly. The creepy leather guy is revealed to be Principal Wilkins, building on the earlier story and reinforcing the whole.

“Meet Sam” – The last story is straight ahead horror stuff, with Kreeg battling Sam. It’s the payoff sequence, as we learn that Kreeg was the bus driver that condemned the kids to death at the behest of their parents, and we get to see Sam in action. It’s good, solid, man versus monster action, which ends with Kreeg thinking he’s made it through the ordeal alive, only to have the School Bus Ghosts ring his doorbell, giving vengeance its due. For his part, Sam’s got to walk across the street and kill Emma for blowing out that jack-o-lantern.

All told, TRICK ‘R TREAT is a fantastic movie, well worth an add to your horror movie rotation, and a fine end to the Anxiety’s Horror Month.