Atomic Interview #10: Talking REDEMPTION OF THE SORCERER with Ralph Angelo Jr.

Redemption of the SorcererRedemption of the Sorcerer (2013) – Written by Ralph Angelo, Jr.

Welcome back, everyone, for the 10th installment of my Atomic Interview series. If you’re a regular reader of the Anxiety, you know I’m taking a break from writing reviewsfor the time being but I still hope to have a new interview up every week through the summer. Today, I present my interview with REDEMPTION OF THE SORCERER: THE CRYSTALON SAGA, BOOK ONE writer Ralph L. Angelo, Jr.

REDEMPTION OF THE SORCERER: THE CRYSTALON SAGA, BOOK ONE

Crystalon is a sorcerer of unprecedented power. He is the ruler of his world and universe. But Crystalon is still a man, and not a God. What happens when that man, after centuries of immortal life and power loses his way, giving in to human temptations until he is finally seduced by the power he wields? What follows is an epic adventure that spans two universes, while the man caught in the midst of it all seeks redemption from his past sins. But will he see the error of his ways in time to save both universes from an evil, nigh unstoppable enemy, and utter annihilation? Or will an incalculable amount of innocent souls be damned to an eternity of enslavement and doom? ‘Redemption of the Sorcerer’ is an epic fantasy novel that will have you on the edge of your seat to the very last page!

Mark Bousquet (MB): Hi Ralph, thanks for joining me. One of the great things about the New Pulp community is how people you had lost touch with can come back
into your life. We are both veterans of the Marvel Volume One Fanfiction Project that Van Allen Plexico started at his Avengers Assemble site way, way, way back in the day but I hadn’t heard from you in years until your latest novel, REDEMPTION OF THE SORCERER, THE CRYSTALON SAGA, was being written and we reconnected on Facebook. So let’s start there, first. What have you been up to in the past decade?

Ralph L. Angelo, Jr. (RA): Hi Mark! It’s a genuine pleasure to hear from you again! What have I been up to? Well in general a lot of the mundane things that the roller coaster of life generally puts you through. Back in the day I was a self-employed guy who dabbled in fanfic when Van’s site had come into being. I wrote a bunch of stuff between MV1, The Faux DC (Which I’m still connected with, BTW) as well as a few series on Avengers 2000.

Around 2003 I think I ended up closing up shop and going to work for someone. About that time a friend told me his sister had just written a book and had it published by a company called Publish America. I had been dabbling with the idea of writing a motorcycle safety book for quite some time, as I’m a very avid motorcyclist, and I’m a stickler for safety and safety gear. So I contacted that publisher and they agreed to what I had planned. (It would take me years to realize they were not the best outfit to get involved with, so I would definitely advise any would-be writers to avoid them and look into self-publishing first, if you can’t find a legitimate publishing house to take your work.) But in four months I wrote a 170 page “How To” motorcycle safety book entitled “Help! They’re all out to get me! The Motorcyclists Guide to Surviving the Everyday World.”

After I finished that and it was being published, I immediately began writing “Redemption of the Sorcerer.” But for some reason I got very hung up on it. It literally took me eight years to complete it. Sometimes I’d walk away from it for months at a time. It wasn’t that I ever gave up on writing it, I just got very lost with where I wanted to go with it several times. It was never the overall story, it was the small stuff that drove me nuts. But after a while things started to come together. What happened was that my back got hurt at the job I had taken, and ended up being laid up for many months. So I now had time to sit in front of the keyboard and hash things out slowly. I figured I’d finish what I wanted to do in a few months of writing and I did. It was a very complex story, with a main character who at the books beginning, is unlikeable, and sort of an anti-hero. By about a third of the way in, that changes. Plus he’s a very interesting guy.

So after I finished that book last spring I decided to write another on a sword and sorcery idea I had. That book is being called “Torahg the Warrior, Sword of Vengeance” and that is coming out on the Pro Se Publications label very soon. After that I actually wrote the sequel to the ‘Torahg’ Book, I have no idea when that will see the light of day, but I’d say probably in a year or less. Then I wrote a sci-Fi novel which will be out on my label (Cosmic Comet Publishing) sometime this summer. Other than that, what I have been up to are the usual things for me, motorcycling in the warm months, skiing in the cold (up until I got hurt at least) and I re-discovered my passion for guitar playing again, something I hadn’t done in over a decade.

MB: As I mentioned, we’re both MV1 vets. How did writing fanfiction in a shared universe setting like MV1 help in your growth as a writer?

RA: Oh my God, I had no idea what I was doing until entering that arena. I had written stuff all my life but never anything anyone would have read. It was always a “What if?” kind of scenario. In fact the opening sequence of the first Torahg book had been the opening sequence for something I wrote back in the late eighties. MV1 actually taught me a lot, as far as writing goes. Back in the day I actually wrote in script form, as if I was actually writing comics, not prose adventures. After a while I woke up and changed that format to the much more common sense prose style. What was great about MV1 was seeing how everyone else wrote, and being able to pick up on others styles and abilities as writers. There was a lot of GREAT material there written by a great group of talented people. That was a fantastic place to hone writing skills!

MB: You started the Writing and Publishing Workshop and Discussion group on Facebook. What was your goal in starting this group? What do you hope people get out of it? Is it open to anyone?

RA: That group is not a fan site, in other words if you’re a writer you are more than welcome. The idea of it was for writers to be able to come there and share ideas or ask questions of other writers if they had problems of just needed to hash out something they were stuck on in a book or short they were writing. Also self-promoting is more than welcome there as I know I welcome hearing about what everyone is coming out with. It’s basically a safe area where writers can go if they need help or ideas, or even have something they deem worthwhile to share with other writers. See, I don’t consider us to be in competition with each other as far as who sells the most books or whatever. What I write may not interest the guy who reads what someone else writes and vice-versa. So my goal in starting it is simply to create a place that writers can go and feel safe about talking out any issues they may have with something they are writing and seeing if they can get through it with some suggestions from others as well as a site to share different info that may interest fellow authors/writers.

MB: Let’s turn to REDEMPTION OF THE SORCERER. Based on the book’s description, this is not a small story. Who is Crystalon and what has he done to set the events of this novel into motion?

Ralph L Angelo JrRA: Oh boy, good question. Crystalon is an immortal sorcerer who found himself over the course of many, many years actually becoming the ruler of first his earth and then his actual universe. But he began to think of himself as more than a man, and instead as a God. Who could blame him really? He was over a million years old on a parallel earth with a different history where magic was the prominent source of power and knowledge and not science. They had science, but most people were born with magical abilities. Crystalon’s were latent, as readers will see in the book, he was originally deemed to be powerless by the sorcerers who tested children for magical abilities. A catastrophic event in his life brought those abilities screaming to the surface in one horrible moment that redefined his young life.

But over time he began to lose his humanity as he sought out more and more magical strength. He became cold and distant, almost machine-like in his seemingly never ending quest for power. Basically he lost his way, and a group of rebels with long term plans formed, who were patient and methodical in those plans, including planting a spy within his castle who was very close to him, whose help was absolutely necessary for their plan to succeed. Succeed it did. Crystalon was overthrown and sent to a world where magic was seemingly non-existent. A world that looks exactly like the world outside our doors. That’s where this adventure truly begins.

Dave Ho Redemption scene

MB: The description mentions that Crystalon is “a sorcerer of unprecedented power” and “the ruler of his world and universe.” When you’ve got a character like this that’s immensely powerful, how do you build a threat to match him? What kind of hurdles or opponents does Crystalon face in REDEMPTION?

RA: Well his first hurdle is being stripped of his powers and sent to a magic-less world, where he is condemned to live out his life as a penny-less and destitute lost soul. Except that the instant he lands he gets hit by a truck and ends up in the hospital. In the hospital he is made aware of a magical threat to this world, but now he’s a powerless, regular guy for all intents and purposes. So what does he do? He realizes almost immediately the enormity of the situation, that he’s the only one with the wherewithal to defeat this unknown foe and his forces, but now he’s stripped of his abilities and powerless. A few things fall into place for him and he’s able to begin a quest that will not only allow him the opportunity to save this new home of his, but also will give him the opportunity at Redemption, if he can finally see past the errors of his ways and his own oversized ego, that is.

His enemies are powerful and many, but they are all led by one being, a shadowy mastermind who has an intense hatred for Crystalon.

MB: Does he have any allies?

RA: He has several actually. The most important is ‘Joe Carboneri’ who is actually the man who hit Crys with his truck when he ‘fell out of the sky’ as Joe puts it. There is also Dr. Daniel Walker, who is not only a physician but a ‘Knight of the Golden Dawn.’ An ancient order of Knights who fight mystical threats while themselves are hidden in the shadows. There is also Amanda Serros, whose part in all this I don’t want to give away right now, as it would ruin something for the reader if they decide to read the book after sifting through this interview, but she becomes very important to Crys for a lot of reasons. Those three are his main allies. There are several more, but these three are his supporting cast, and closest confidants.

MB: The novel opens right in the middle of a great battle. Is REDEMPTION a book where the action comes hard and fast, or do you take a more roller coaster approach here and balance action with quieter moments?

RA: Definitely the latter approach. I like to open with an action scene, or something that will grab the readers attention and draw them in. Then there are many quieter moments throughout where the story is built upon. So the roller coaster ride is in effect throughout. I actually had some trouble writing it because of this style of approach. At one point I thought I was putting in too much background and quiet moments and not enough action, which is why you’ll notice when the book hits part II things seem to amp up a bit. I didn’t want the reader to get bored.

Excerpt from REDEMPTION OF THE SORCERER

The crimson suited troopers opened the doors to the citadel, and in a great, cathedral shaped room, huge and majestic, knelt a man in glowing, mystical chains surrounded by dozens of men in ragged, bloodied garb. Most were as old and as wizened as the Sehr. All stood proud and strong, pointing either sharp blades and pikes, or unwavering energy weapons at the figure before them, face turned down, on his knees, unable to move. He raised his head and stared with anger and deep-seated hatred at the newcomer.

He was not a particularly special looking man. His height slightly under six feet, he wore his black hair neatly, and of no great length. A small, black goatee adorned his chin. His clothing, a red and black tunic with mystic symbols scrawled across it, with a similarly colored cloak sprawled behind him, was in tatters. Armored pieces adorned each shoulder, though one was cracked and broken now. Knee height boots of black leather covered his feet. His pants were the same red material as his tunic.

The Sehr approached him, touching his warriors gently, ushering them aside, as he tried to pass. One stopped him.

The man, obviously an officer in the Sehr’s great army, spoke. “Please Sehr; you should not approach him any closer. We know not the strength of his powers as of yet. It takes the concentration of everyone here to maintain the bonds we have conjured to keep him thus subdued.”

The Sehr smiled gently and laid his hand upon his subordinates shoulder. “Tufor, the battle, the war is over. Not even the mighty Crystalon could hold out forever against the power of so many worlds. Our coalition has defeated the Oppressor, and he will be dealt with by his peers. Isn’t that correct Crystalon?”

The man on the floor of his own castle snarled incoherently as he lifted his face up to meet that of his enemy.

“You are a fool Sehr. I will yet have your head upon a platter for this effrontery. When I break free of these bonds – and make no mistake, I will be free of them – yours will be the first life I take as I begin my return to my rightful place above the cattle.”

“And what is that place, Crystalon?” The Sehr asked as he turned his back on the downed man and began walking around the large room.

“You know as well as I do, fool. As their leader, their King, their God.”

The Sehr spun quickly and pointed at Crystalon with his staff. “You are no God. You are a powerful, but petty man who terrorized a galaxy with his petulance for far too long. You were given the greatest mystical abilities ever known. You were a natural sorcerer of untold power; you could have helped shape the universe into a thing of great beauty, ushered in an age of galactic utopia. Instead you chose to create an empire that strangled its citizens and broke their backs with the weight of its aggression.”

“I created a world where those who were loyal to me prospered. I gave their lives meaning!” Crystalon roared, his voice reverberating within the great hall.

“You enslaved them,” the Sehr answered quietly. “Ponder all of this. In one day hence, you will be sentenced for your crimes against the universe, against decency itself. Pray that our judgment of you is less severe than you would impose upon one who committed a far lesser aggression.”

MB: When you subtitle a novel “Book One,” that tells us we’ve got more novels coming. When can we expect to see Book Two? How many books do you anticipate in THE CRYSTALON SAGA?

RA: There are three planned I started the second one recently and plan to release it next year. The title of the second one is “My Enemy, Myself” The reason for that title will become apparent at the end of Book one. Book two takes place two years later by the way.

MB: What else is coming from you in the near future? What are you working on now?

RA: Look out for the aforementioned “Torahg the Warrior, Sword of vengeance” which is my next release coming from Pro Se Publications in the next month or so. This is a book about ‘Vengeance’ as the title suggests, as opposed to ‘Redemption’. I’ve always been a huge fan of Conan and John Carter as well as books like ‘Almuric’ among others. Torahg is in that vein. It’s the story of a young prince of a powerful nation-state who witnesses his father’s death at the hands of two evil usurpers, one of whom is the princes own brother, the Kings oldest son. That begins a twenty year quest for vengeance that spans the world. A world filled with magic and monsters and demons as well as powerful foes and stranger allies. It’s a brutal, savage world set in pre-history where there really are no rules except the strong survive and further, they flourish. There are actually two more short ‘Torahg’ stories coming out in ‘Pro Se Presents’ sometime this year. The second Torahg Novel is titled ‘Tales of Torahg’ and that is a series of short stories throughout the exiled prince’s life, which was very interesting to write because I got to play with his attitude a bit over the years. You get to see his personality change as time goes on.

After that will be my Sci-Fi novel entitled “The Cagliostro Chronicles” which is the story of man’s first faster than light flight and the deadly nature of the rest of the universe when man finally makes the huge leap to join the rest of the universe some 80 years from today. That’s another story that began in the eighties and sat in the back of my mind since.

So in order, you have ‘Torahg the Warrior, Sword of Vengeance’ coming soon from Pro Se publications (probably within the next month I think) then after that will be the release of ‘The Cagliostro Chronicles’ sometime this Summer. After that, you’ll probably see ‘My Enemy, Myself’ released around the beginning of ’14 sometime, followed sometime after that I believe by ‘Tales of Torahg, Vol 1’.

Now after that I’d like to do a superhero novel entitled ‘Hyperforce.’ This one I have mostly laid out in my mind already as well.

MB: And finally, where can people go to learn more about you and your work?

RA: That’s the easiest question today, Mark! http://www.RLAngeloJr.com is my website which I update regularly. I’m also on twitter @RLAngeloJr and my Amazon authors page is at http://www.amazon.com/Ralph-L.-Angelo-Jr./e/B008M0PW6W/.

MB: Thanks, Ralph!

RA: No Mark, Thank YOU! This was fun and a real pleasure to do. Thanks for asking me!

———-

And that’s it for the latest Atomic Interview! Thanks to Ralph for joining me, and remember, if you like an author’s work, there’s nothing you can do to help spread the word better than leaving them a review at your bookseller of choice!

Gunfighter Gothic BOTU3When he’s not talking to other writers, Mark Bousquet is doing some writing himself. He is the author of multiple novels and collections, including the recently released The Haunting of Kraken MoorGunfighter GothicStuffed Animals for HireDreamer’s SyndromeHarpsichord and the Wormhole Witches, and Adventures of the Five. He has also published a review collection entitled Marvel Comics on Film, which covers every cinematic and TV movie based on a superhero from the House of Ideas. A complete listing of all his work can be found at his Amazon author page.

Atomic Interview #9: Talking THE MERKABAH RIDER with Ed Erdelac

Merkabah Rider 4 coverMerkabah Rider: Once Upon a Time in the Weird West (2013) – Written by Ed Erdelac.

Welcome back, everyone, for another installment of my Atomic Interview series. If you’re a regular reader of the Anxiety, you know I’m taking a break from writing reviews for the time being but I still hope to have a new interview up every week through the summer.

I’m pleased today to publish my interview with Ed Erdelac, writer of the acclaimed and popular MERKABAH RIDER series. I want to thank Ed for joining me and for providing such detailed, thorough answers. I’m always grateful when writers are willing to take a good bit of time to talk about their projects. The interview starts after the official description of the latest and last MERKABAH RIDER installment.

MERKABAH RIDER: ONCE UPON A TIME IN THE WEIRD WEST

THE CONCLUSION OF THE ACCLAIMED WEIRD WESTERN SERIES. For years the Rider, one of the last of an ancient Jewish order of astral travelers, has sought his renegade teacher Adon across the demon haunted American west. Now it is 1882. The Hour Of Incursion is here. The Great Old Ones, beings of immeasurable power from the roiling chaos before the dawn of Creation, are stirring in their ancient slumber. It is high noon for the entire universe. Seeking to rouse the Old Ones, Adon has gathered together the Creed – an army of fallen Hasidic mystics – and a host of dark allies including skinwalkers, necromancers, an undead master gunslinger, Lilith the Queen of Demons, and the Angel of Death himself. The Rider and Kabede, in a last bid to stop Adon, recruit their own band, including an unstoppable preacher more steam engine than man, an alien entity from the dawn of time, a young witch, and the enigmatic Faustus Montague, an angelic being from another universe. But Lucifer the master of hell watches from his capitol city, ready to commit his legions to the winning side. And he has an agent among the Rider’s companions….

Mark Bousquet (MB): This month sees the release of the fourth and final volume of your acclaimed Merkabah Rider series and we’ll get to the fourth book in turn, but let’s go back to the beginning. Who is the Merkabah Rider and how did this character develop from your initial spark of inspiration to the character who eventually saw print?

Edward M Erdelac (EME): The Merkabah Rider is a Hasidic gunslinger, tracking the renegade teacher who betrayed his mystic Jewish order of astral travelers to the Outer Gods of the Lovecraftian Mythos. Picture a bearded Hasidic man (Adrien Brody has always been in my head) in long black coat and wide brimmed hat, with peyot curls, armed with a gold and silver chased Volcanic pistol covered with Kabbalistic symbols, and wearing a pair of blue glass spectacles mystically embossed with Solomonic seals that allow him to see in the spirit world. He clinks when he walks, but it’s not spurs – it’s dozens of talismans and bodyguards strung about his person beneath his clothes. Sort of a Jewish Solomon Kane in the Old West.

I had written a few weird western stories in high school, specifically, most of the novellas “The Dust Devils” and “Hell’s Hire Gun,” which appear in High Planes Drifter, the first Merkabah Rider book. But they were written with a completely different character, an ex-cavalryman with a magic buckskin shirt sewn onto his flesh by a Cheyenne medicine man that granted him the power to stop bullets. I got a little bored with the character. He wasn’t very compelling, and I shelved the stories for about twenty five years.

My wife picked up a book on angelology somewhere. It had an entry on “Merkabah Rider,” defining it as a Jewish ascetic who explored the heavenly realms via astral projection, and wore a bunch of talismans to ward off evil spirits. The term stuck in my head, and the Rider kind of sprang up as I described him above in my mind, riding a horse made of etheric fire like in the Biblical tale of Ezekial.

I started reading a lot of Jewish folklore and mysticism, and realized the whole thing was very rich and unique, and for the most part untapped in fiction. At the same time I got into Lovecraft pretty heavy, and in my research came across the notion in Jewish mystical thought of forbidden areas of study, namely the Olam ha-Tohu, the world of Chaos that preceded Creation, and references to God having defeated or bound over cosmic entities that refused to take part in Creation.

As with most good ideas, the more I read into everything, the more I found things falling into place. Not only did I have an interesting and unique central character I could go back and plug into those old stories, I found I had a greater arc. The series just grew up around him.

MB: In “The Blood Libel,” the first Rider story in your first Rider collection, you use his religion as a means of introducing the character to the readers. Please talk, if you would, about the role of religion in both the character and the series. Have you created a Jewish mythological structure and placed it onto the old West, or are these stories more concerned with a Jewish character making sense of a non-Jewish corner of the world?

EME: To an extent I took Jewish folklore and religious practices and adapted them into a fictional universe. There is no Sons of The Essenes sect that refuses to ride horses or anything. Their hierarchy and practices, some of the universe’s rules and the Rider’s astral abilities are stuff I made up, salted with a Jewish flavor. But it’s more a bit of a fish out of water story, like TV’s Kung Fu, which was a big inspiration. It is to an extent a misfit character making sense of the Old West, but also, a universe that turns out to extend well beyond his established belief system. When the Rider starts encountering the Great Old Ones and non-Jewish characters who are also engaged in fighting them, it challenges his faith. But I mean, you don’t have to be Jewish to relate to it, if I did my job right.

MB: The Merkabah Rider series is a Weird Western. What drew you to this genre? How do you balance the “weird” with the “west” in your books?

EME: My first weird westerns, and the ones I still consider seminal, were Robert E. Howard’s “Old Garfield’s Heart,” “The Horror From The Mound,” and “The Thunder Rider.” I read them in a collection in high school, and I think I had only recently got into westerns. I watched The Lone Ranger and The Cisco Kid as a boy, but western movies never appealed to me. Then I saw The Good The Bad And The Ugly and the other Dollars movies (which to an extent, are weird westerns), and High Planes Drifter (which definitely is). Westerns just opened up to me. I devoured everything I could, and started watching the older stuff, John Ford, John Wayne, Anthony Mann, and reading Louis L’amour, Larry McMurtry, etc. Also read Joe R. Lansdale’s “Rider Of The Worm And Such,” and “Two-Gun Mojo,” and for some reason the notion of putting the two genres together just appealed to me. You know, they were great on their own, but even better together.

I am very persnickety about weird westerns I read, and I hold my own work to the same standard. A lot of weird westerns, the authors don’t do the research and it shows. They’re into the weird, but they’re not really western fans beyond maybe a couple Eastwood movies. Just slapping a cowboy hat on a zombie doesn’t make for a good weird western. You’ve got to get the western part down right. Read primary documents, read and watch other non-ghoulie westerns, do the research. In Merkabah Rider, you can read “The Fire King Triumphant,” which takes place in Tombstone, and I mean, I had a street map of Tombstone for the year that story takes place. And there really was a fire that raged through the town, and Mrs. Fly, the wife of the guy that owns the photography studio the Rider talks to, she was a real person. And it may not even register to the average reader, but the western buffs will get it, and I want them to, because when I’m reading something, I appreciate that extra effort, that nudge and wink, that insider’s reference. It’s like a private joke shared between the author and the discerning readers. Conversely, the Lovecraftian stuff, the weird aspect, I try to pack Merkabah Rider with references readers of that stuff will appreciate too. I fill the series with references to other works I enjoy. And when you can make the fantastic and the real gel, that’s when I get giddy.

In the second book, The Mensch With No Name, in “The Damned Dingus,” the Rider meets a real gunfighter, Dave Mather, who was from New England and really was a sailor for a year with his brother. In the story he has an Elder Sign tattooed on his forearm by a shipmate, who he mentions by name, Zadok Allen. That’s the old drunken sailor from Lovecraft’s “Shadow Over Innsmouth.” So I try to find that balance of weird and western. In Garth Ennis’ weird western comic “Saint Of Killers,” there’s this splash page that references “Lonesome Dove,” Custer’s Last Stand, and “Unforgiven” in the same breath. I loved that kinda stuff. That’s what I try to do.

MB: Let’s turn to ONCE UPON A TIME IN THE WEIRD WEST. What is this
volume of the Rider’s tale focused on?

EME: This is the big final confrontation. Adon, the Rider’s teacher, who has been trying to bring about The Hour Of Incursion, which will allow the Outer Gods access to our universe, is putting his plan into motion. There’s a ticking clock. The stars are right, it’s high noon for the universe. He’s gathered all his followers to him, including necromancers, this heretical order of Catholic monks that worships the angel of death, shoggoths, and Lilith the Queen of Demons. There’s an undead sort of mummy gunslinger that’s made from parts of various real life gunmen like Billy The Kid, Jesse James, etc.

On the other end, the Rider is getting his own allies together. There’s his partner Kabede, who is an Ethiopian Jew that carries the staff of Moses, he’s been around since book two, and his old cavalry buddy Belden, and Faustus, who is a medicine peddler with a magic wagon driven by camels. But in this book they recruit this fanatical preacher, The Reverend Mr. Goodworks, who is part steam engine, and a Yithian scholar, among other things.

While the other books in the series are presented as collections of episodic novellas, Once Upon A Time In The Weird West is a straight, traditionally structured full length novel. I wanted to end the series the same way Robert E. Howard’s Conan stories ended, with a novel. OUATiWW is The Hour Of The Dragon of The Merkabah Rider series.

MB: Why end the tale now? Is it simply a matter of the character having run its course? Or are you, as a writer, ready to move on to a different project?

EME: Well, I don’t like when a series just drags on and on. It becomes like long term episodic television. You know nothing major’s going to happen to certain characters because well, they’re in the opening credits or their name is on the cover. I never saw Merkabah Rider as infinite. There was always a definite course, a definite end in mind. Of course, I could always go back and tell stories earlier in the Rider’s career. There’s his Civil War years with Belden, and his adventure with the shaman Misquamacus, and how he first met Goodworks, which have all been alluded to throughout the series. There is a standalone story out already, floating around in an anthology called The Trigger Reflex. The story is called “The Shomer Express” and takes place before the first book. But, you know, after four years, I’ve got other things I’d like to work on. If people want it, it could happen, but eh, prequels. I’m not in a rush. The thing about the Outer Gods too, they never really get defeated. They’re always on the edge of reality waiting to get in…

MB: One question that interests me from a writer’s standpoint is the extent to which we’re associated with a “signature” project. Your work appeared in seven separate books in 2012, yet I would imagine most readers think of you as “the Merkabah Rider guy.” Do you think it’s important for writers to have a signature series? Do you think it’s a mistake? Do you feel burdened by being “the Merkabah Rider guy?” And does this play in role in determining which short story opportunities you pursue?

EME: I don’t think it’s important for a writer to come up with a signature series. There are plenty who do just fine without one. But I don’t see anything wrong with it either. If I’m The Merkabah Rider guy, I’m fine with that. If I’ve created something people enjoy, I’m happy to be remembered. I do get some great appreciative fan mail once in a while. I cherish those, much more than any solicited review. You know, you hope people who like your popular stuff will go out and look at what else you’ve done, but who knows?

It doesn’t really affect what I seek out. I like writing weird westerns, and so, if I see markets for them I like, I do like to try to get in them, just as a personal challenge. I wouldn’t mind being “the weird western guy.” But I’ve branched out too, into other eras, modern day. I’ve written a couple things set in Japan now, I’ve got three non-western Lovecraftian stories out there, and some straight, no ghoulies westerns (the latest Coyote’s Trail, comes out in July from Comet Press). I’m working on a novel set during the Holocaust. Merkabah Rider has affected offers I get, I think. Professional offers I’ve gotten are unanimously because of it. Every once in a while people who are doing western or weird western related stuff come to me, and that’s cool. It means I did it right.

Terovolas CoverTEROVOLAS

The personal papers of the enigmatic Professor Abraham Van Helsing are collected and presented for the first time by his longtime colleague and defender, Dr. John Seward. Texas, 1891 Following the defeat of Count Dracula, Abraham Van Helsing – suffering from violent recurring fantasies – checks himself into Jack Seward’s Purfleet Asylum. Once discharged, he volunteers to return the ashes and personal effects of the late Quincey P. Morris (the American adventurer who died in battle with the nefarious Count) home to the Morris family ranch in Sorefoot, Texas. Van Helsing arrives to find Quincey’s brother, Cole Morris, embroiled in an escalating land dispute with a group of neighboring Norwegian ranchers led by the enigmatic Sig Skoll. When cattle and men start turning up slaughtered, the locals suspect a wild animal, but Van Helsing thinks a preternatural culprit is afoot. Is a shapeshifter stalking the Texas plains, or are the phantasms of his previously disordered mind returning? The intrepid professor must decide soon, for the life of Skoll’s beautiful new bride may hang in the balance.

MB: Previous to ONCE UPON A TIME IN THE WEIRD WEST, your last full-length book was TEROVOLAS, which takes a post-Dracula Abraham Van Helsing into the west. How does this book compare to the Merkabah Rider series? What drew you to taking Van Helsing into the west?

EME: I loved the epistolary structure of Dracula, and I like the way writers like Nicholas Meyer in his Sherlock Holmes pastiches and George MacDonald Frasier in his Flashman series wove fiction and history together using the found document framework. Richard Matheson did that with his Journal Of The Gun Years and The Diary of Wild Bill Hickock, too. I’ve always found Van Helsing to be both the most interesting and the most misinterpreted character in Dracula. He’s not a vampire hunter. Nowhere is that stated. He’s just a scholar with a lot of obscure knowledge that he puts to use. He’s not a fanatic either, as a lot of people like to portray him nowadays. I liked the character so much I felt like I wanted to defend him, and I got the notion of uncovering these personal papers that would vindicate him to the world. I felt like I might be a little in over my head though, trying to do a book set in 1890’s Europe. Quincey Morris, the guy who dies fighting Dracula in the novel, was established as being from Texas, so I latched onto what was familiar to me and ran with it. I figured Quincey had kin that would need to be told about his demise, and I figured his aristocratic friends would be reluctant to divulge the nature of his death. But Van Helsing wouldn’t be. So I came up with him taking Quincey’s personal effects and remains back to Texas.

Comparing Terovolas to Merkabah Rider, while both take place in the real world of the late 1800’s, I think Terovolas is a little bit more grounded. There are fantastic elements of course, but in Terovolas the supernatural menace is even more mysterious, more hidden, necessarily because Van Helsing is really the only character that believes in this stuff. He’s thrust into the company of a lot of ranch hands and Missourians (“show me”), and he’s already doubting his own sanity. So not only does he have to convince the muggles of what’s really going on, he has to convince himself. It never gets as cosmic and wild as Merkabah Rider does. It’s really more of a detective novel than a fantasy adventure.

MB: What’s life like for you away from your stories?

EME: Mundane, but busy. I work at home, a real eight hour job, so I can take care of my three kids, and put my eldest through college. We travel when we can.

MB: What’s next for you now that the Merkabah Rider’s story has been told?

EME: Merkabah Rider has landed me a couple of opportunities that I don’t wanna jinx by discussing overly, but they involve leveling up my writing career a bit, which is a great and right now not entirely believable thing. Gah, I hate to be that vague guy. Sorry, but you know, if you trumpet something to the hills and then it doesn’t come true … I saw Stan Lee do that a lot in his Soapboxes in the 80’s. Adrien Brody’s not making a movie or anything, not that great, but a nice quantifiable step upwards.

I’m also working on some cool little projects. Like I said, I’m finishing up a World War II era novel, and I’m doing another story for the next volume of Mechanoid Press’ Monster Earth, which is a fun series about the various nations of the world fighting the Cold War with giant monsters instead of nukes. Working on an RPG supplement too, steam powered giant mechs in the old west.

I’ve got that western coming from Comet Press in July. Coyote’s Trail is about an Apache kid who uses a Mexican prostitute to lure the soldiers who killed his family out of their post. It’s dark, dark stuff. I call it a psycho-sexual revenge western.

On the ghoulie front, I’ve got stories coming out in a couple of books from Chaosium and Innsmouth Free Press some time this year, as well as a few others that haven’t yet been contracted but look like they’ll go through.

MB: And finally, where can people go to learn more about the Merkabah Rider and your other works?

I’m on Facebook, but the best place is my Delirium Tremens blog. If you click on the book covers on the right there you can read excerpts from everything I’ve done.

———-

And that’s it for the latest Atomic Interview! Thanks to Ed Erdelac for joining me, and remember, if you like an author’s work, there’s nothing you can do to help spread the word better than leaving them a review at your bookseller of choice!

Five Coming of FrostWhen he’s not talking to other writers, Mark Bousquet is doing some writing himself. He is the author of multiple novels and collections, including the recently released The Haunting of Kraken MoorGunfighter GothicStuffed Animals for HireDreamer’s SyndromeHarpsichord and the Wormhole Witches, and Adventures of the Five. He has also published a review collection entitled Marvel Comics on Film, which covers every cinematic and TV movie based on a superhero from the House of Ideas. A complete listing of all his work can be found at his Amazon author page.

OBLIVION: In Exactly 22 Words

OblivionOblivion (2013) – Directed by Joseph Kosinski – Starring Tom Cruise, Morgan Freeman, Olga Kurylenko, Andrea Riseborough, Melissa Leo, and Nikolaj Coster-Waldau.

Rating: Pretty. Predictable. Dumb.

OBLIVION in exactly 22 spoiler-filled words:

Cruise as Wall-E: Lives in the sky, prefers ground, is a clone. Awesome swimming pool. Morgan Freeman smokes. Clones are not individuals.

__________

HARPSICHORD & THE WORMHOLE WITCHES. The first novel of the Deep. From Atomic Anxiety Press.

Mark Bousquet’s books are all longer than this review. He is the author of multiple novels and collections, including the recently released The Haunting of Kraken MoorGunfighter GothicStuffed Animals for HireDreamer’s SyndromeHarpsichord and the Wormhole Witches, and Adventures of the Five. He has also published a review collection entitled Marvel Comics on Film, which covers every cinematic and TV movie based on a superhero from the House of Ideas. A complete listing of all his work can be found at his Amazon author page.